notes from the editor

changed my mind on a few things that’ve been reflected on here earlier. namely, a couple mixtapes. they were bloated and the sequencing wasn’t dialed in, moving the needle from relief to retribution. didn’t make sense to keep them that way, not if they’re meant to be listened to. these mixtapes were/are for me – my catharsis – so i made some changes. fewer songs, less judgement, and that 80 minute playtime that seemed so serendipitous? turns out, it’s too much. a dozen or so songs, under an hour – that’s more like it.

on another note: i recently thought to myself, “i should re-read books the way i re-watch movies.”

absolutely. yes. do that.

pulled a few from the shelf to re-visit (and a couple to wrap-up).

‘Bless Me, Ultima’ by Rudolfo Anaya, ‘The Air-Conditioned Nightmare’ by Henry Miller, ‘Normal People’ by Sally Rooney, ‘The Wind-Up Bird Chronicle’ and ‘Kafka on the Shore’ by Haruki Murakami.

‘Bless Me, Ultima’ by Rudolfo Anaya, ‘The Air-Conditioned Nightmare’ by Henry Miller, ‘Normal People’ by Sally Rooney, ‘The Wind-Up Bird Chronicle’ and ‘Kafka on the Shore’ by Haruki Murakami.


making these notes in an effort to maintain accountability in my creative process and to encourage curiosity and a perspective that sees change as not only inevitable, but vital. some of this has been difficult to externalize – want to recognize that – and i’m challenging myself (present, and future) to reserve judgement/shame/guilt when it comes to changing my mind. status report: ongoing.

moving on from working on those two mixtapes. several others have come together since, and the process is continuing to evolve.

excited to revisit stories i’ve read before. i think it’ll provide an opportunity to better identify my preferences in literature the way i’ve been able to with music and movies. couldn’t hurt, right?

glimpsed a pair of owls overhead a few evenings ago – Ultima first.

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common assets, vol. 2